Mies’s signature phrase means that less decoration, properly organized, has more impact than a lot. Elegance, he believed, did not derive from abundance. Like other modern architects, he employed metal, glass and laminated wood—materials that we take for granted today but that in the 1940s symbolized the future. Mies’s sophisticated presentation masked the fact that the spaces he designed were small and efficient, rather than big and often empty.
Mies held that elegance of architectural design _____.
A : [A] was related to large space
B : [B] was identified with emptiness
C : [C] was not reliant on abundant decoration
D : [D] was not associated with efficiency
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